Post by account_disabled on Dec 2, 2023 3:49:11 GMT
The sad but at the same time interesting thing about the distance between who you are and who you think you are is that often (not always certain. Because if it were always it would become obvious and boring) it can be bridged. Each of us, and the writer is no exception, is at the same time who he is, who he shows himself to be and who he would like to be. So what's wrong with trying to consider yourself, at least potentially, what you would like to be? Doesn't it perhaps make more sense to present yourself towards others as someone who believes he is a writer (you have to believe it!) if this is precisely what he feels he is and what he wants to become? No, signing a book doesn't automatically make you a writer. There is no divine investiture descending upon your pen in the form of publication.
However, I think the opposite is also true: not having written/published stories/novels does not mean NOT being a writer. To make a tower of books you need a solid foundation The basics of writing are always the same: reading and Phone Number Data writing every day. Read anything and write anything If it is true that the method inspired by the famous motto "nulla dies sine linea" can be useful, it can serve to give you a healthy writer's pulse, it is also true that forcing, schemes at all costs, overly codified programs that are too rigid to adapt to daily life which is by its nature changeable and unpredictable, I believe are harmful in the long run. Spend a sleepless night writing because from your balcony you can see the moon dripping a bewitching light onto the roofs. Write down an idea on the shopping receipt while the bag weighs, indeed it weighs, yet you feel that the only weight you couldn't bear would be yet another gravestone for a word thought but not written.
Be methodical and constant but also spontaneous and accommodating. Indulge yourself. The years you don't have (of writing and i-maturity) It is useless to want to publish at 15 years old, because you are not yet mature at all, because your mind is elsewhere, because you do not have enough reading and writing experience The novel of a 15 year old, if taken, read, considered, as a novel by a 15 year old why should it necessarily have no value? Even such a youthful work, if contextualized in the history of its author, I believe can have its own specific weight. The lifeblood of every author is nothing other than the stories that live everywhere and continually seek ears to speak to and fingers to give them life.
However, I think the opposite is also true: not having written/published stories/novels does not mean NOT being a writer. To make a tower of books you need a solid foundation The basics of writing are always the same: reading and Phone Number Data writing every day. Read anything and write anything If it is true that the method inspired by the famous motto "nulla dies sine linea" can be useful, it can serve to give you a healthy writer's pulse, it is also true that forcing, schemes at all costs, overly codified programs that are too rigid to adapt to daily life which is by its nature changeable and unpredictable, I believe are harmful in the long run. Spend a sleepless night writing because from your balcony you can see the moon dripping a bewitching light onto the roofs. Write down an idea on the shopping receipt while the bag weighs, indeed it weighs, yet you feel that the only weight you couldn't bear would be yet another gravestone for a word thought but not written.
Be methodical and constant but also spontaneous and accommodating. Indulge yourself. The years you don't have (of writing and i-maturity) It is useless to want to publish at 15 years old, because you are not yet mature at all, because your mind is elsewhere, because you do not have enough reading and writing experience The novel of a 15 year old, if taken, read, considered, as a novel by a 15 year old why should it necessarily have no value? Even such a youthful work, if contextualized in the history of its author, I believe can have its own specific weight. The lifeblood of every author is nothing other than the stories that live everywhere and continually seek ears to speak to and fingers to give them life.